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Eliot, George, 1819-1880

"Middlemarch"

She could only cry
in loud whispers, between her sobs, after her lost belief which she
had planted and kept alive from a very little seed since the days
in Rome--after her lost joy of clinging with silent love and faith
to one who, misprized by others, was worthy in her thought--
after her lost woman's pride of reigning in his memory--after her sweet
dim perspective of hope, that along some pathway they should meet
with unchanged recognition and take up the backward years as a yesterday.
In that hour she repeated what the merciful eyes of solitude
have looked on for ages in the spiritual struggles of man--
she besought hardness and coldness and aching weariness to bring
her relief from the mysterious incorporeal might of her anguish:
she lay on the bare floor and let the night grow cold around her;
while her grand woman's frame was shaken by sobs as if she had been
a despairing child.
There were two images--two living forms that tore her heart in two,
as if it had been the heart of a mother who seems to see her child
divided by the sword, and presses one bleeding half to her breast
while her gaze goes forth in agony towards the half which is carried
away by the lying woman that has never known the mother's pang.
Here, with the nearness of an answering smile, here within the
vibrating bond of mutual speech, was the bright creature whom she
had trusted--who had come to her like the spirit of morning visiting
the dim vault where she sat as the bride of a worn-out life;
and now, with a full consciousness which had never awakened before,
she stretched out her arms towards him and cried with bitter
cries that their nearness was a parting vision: she discovered
her passion to herself in the unshrinking utterance of despair.


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