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Eliot, George, 1819-1880

"Middlemarch"

"
"But it is, my dear!--so far as it is straining through me,
Adolf Naumann: that stands firm," said the good-natured painter,
putting a hand on Ladislaw's shoulder, and not in the least disturbed
by the unaccountable touch of ill-humor in his tone. "See now!
My existence presupposes the existence of the whole universe--
does it _not?_ and my function is to paint--and as a painter
I have a conception which is altogether genialisch, of your
great-aunt or second grandmother as a subject for a picture;
therefore, the universe is straining towards that picture through
that particular hook or claw which it puts forth in the shape of me--
not true?"
"But how if another claw in the shape of me is straining to thwart it?--
the case is a little less simple then."
"Not at all: the result of the struggle is the same thing--
picture or no picture--logically."
Will could not resist this imperturbable temper, and the cloud
in his face broke into sunshiny laughter.
"Come now, my friend--you will help?" said Naumann, in a hopeful tone.
"No; nonsense, Naumann! English ladies are not at everybody's service
as models. And you want to express too much with your painting.
You would only have made a better or worse portrait with a background
which every connoisseur would give a different reason for or against.
And what is a portrait of a woman? Your painting and Plastik are
poor stuff after all.


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