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Eliot, George, 1819-1880

"Middlemarch"


"What! the Geistlicher? He looks more like an uncle--a more
useful sort of relation."
"He is not my uncle. I tell you he is my second cousin,"
said Ladislaw, with some irritation.
"Schon, schon. Don't be snappish. You are not angry with me
for thinking Mrs. Second-Cousin the most perfect young Madonna
I ever saw?"
"Angry? nonsense. I have only seen her once before, for a couple
of minutes, when my cousin introduced her to me, just before I
left England. They were not married then. I didn't know they
were coming to Rome."
"But you will go to see them now--you will find out what they have
for an address--since you know the name. Shall we go to the post?
And you could speak about the portrait."
"Confound you, Naumann! I don't know what I shall do. I am not
so brazen as you."
"Bah! that is because you are dilettantish and amateurish. If you
were an artist, you would think of Mistress Second-Cousin as antique
form animated by Christian sentiment--a sort of Christian Antigone--
sensuous force controlled by spiritual passion."
"Yes, and that your painting her was the chief outcome of
her existence--the divinity passing into higher completeness
and all but exhausted in the act of covering your bit of canvas.
I am amateurish if you like: I do _not_ think that all the universe
is straining towards the obscure significance of your pictures.


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