'
I had one person only on my side, an old tailor, one of the fullest
men I have known, and quite the best talker. He was a bachelor (he
told me all that is to be known about woman), a lean man, pallid of
face, his legs drawn up when he walked as if he was ever carrying
something in his lap; his walks were of the shortest, from the tea-
pot on the hob to the board on which he stitched, from the board to
the hob, and so to bed. He might have gone out had the idea struck
him, but in the years I knew him, the last of his brave life, I
think he was only in the open twice, when he 'flitted' - changed
his room for another hard by. I did not see him make these
journeys, but I seem to see him now, and he is somewhat dizzy in
the odd atmosphere; in one hand he carries a box-iron, he raises
the other, wondering what this is on his head, it is a hat; a faint
smell of singed cloth goes by with him. This man had heard of my
set of photographs of the poets and asked for a sight of them,
which led to our first meeting. I remember how he spread them out
on his board, and after looking long at them, turned his gaze on me
and said solemnly,
What can I do to be for ever known,
And make the age to come my own?
These lines of Cowley were new to me, but the sentiment was not
new, and I marvelled how the old tailor could see through me so
well. So it was strange to me to discover presently that he had
not been thinking of me at all, but of his own young days, when
that couplet sang in his head, and he, too, had thirsted to set off
for Grub Street, but was afraid, and while he hesitated old age
came, and then Death, and found him grasping a box-iron.
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