Spending an evening with a party of friends in
the Crown Tavern, he was solicited for a song. He sung the last which he
had composed; it was "Donald Macdonald." The reception was a roar of
applause, and one of the party offered to get it set to music and
published. The song was issued anonymously from the music establishment
of Mr John Hamilton of Edinburgh. Within a few months it was sung in
every district of the kingdom; and, at a period when the apprehended
invasion of Napoleon filled the hearts of the nation with anxiety, it
was hailed as an admirable stimulus to patriotism. In the preparation of
the "Minstrelsy of the Scottish Border," Scott had been largely indebted
to the intelligent peasantry of the south. He was now engaged in making
collections for his third volume, and had resolved to examine the
pastoral inhabitants of Ettrick and Yarrow. Procuring a note of
introduction from his friend Leyden to young Laidlaw, Scott arrived at
Blackhouse during the summer of 1801, and in his native home formed the
acquaintance of his future steward. To his visitor, Laidlaw commended
Hogg as the best qualified in the forest to assist him in his
researches; and Scott, who forthwith accompanied Laidlaw to
Ettrick-house, was more than gratified by an interview with the
shepherd-bard. "He found," writes his biographer, "a brother poet, a
true son of nature and genius, hardly conscious of his powers.
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