If I wanted to find fault with any detail of the construction, it would be
in the matter of the ring which _Anthony_ places on the finger of _Aloney_
in the cinema play. This was a spontaneous act not included in the scheme
for which _Mortimer John_ was given the credit. Yet as the means by which
_Anthony_ identified her on his return to consciousness it went far to
bring that scheme to fruition. I think also that he ought to have shown
some trace of surprise (I should myself) on finding that he had
unconsciously exchanged his spotless evening clothes for the kit of a
broncho-buster.
I have hinted already at the comparative dulness of the long introduction
to what is the _clou_ of the play--the film and its reconstructed scenes.
Why not take a further wrinkle from the cinematic drama and throw upon the
screen a succinct resume of the previous argument? Three or four minutes of
steady application to the text, and we might plunge into the very heart of
things. I throw out this suggestion not with any hope of reward, but in
part payment of my debt for some very joyous laughter.
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