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Various

"The Atlantic Monthly, Volume 10, No. 57, July, 1862"

The character is drawn with great force, and is full
both of direct and subtle satire on the worldliness of ordinary
churchmen. The portion of the work in which it figures contains many
striking sayings. Thus, we are told, that, when the Bishop "had money,
his visits were to the poor; when he had none, he visited the rich."
"Ask not," he said, "the name of him who asks you for a bed; it is
especially he whose name is a burden to him who has need of an
asylum." This man, who embodies all the virtues, carries his goodness
so far as to receive into his house a criminal whom all honest houses
reject, and, when robbed by his infamous guest, saves the life of the
latter by telling the officers who had apprehended the thief that he
had given him the silver. This so works on the criminal's conscience,
that, like Peter Bell, he "becomes a good and pious man," starts a
manufactory, becomes rich, and uses his wealth for benevolent
purposes. Fantine, the heroine, after having been seduced by a
Parisian student, comes to work in his factory. She has a child that
she supports by her labor. This fact is discovered by some female
gossip, and she is dismissed from the factory as an immoral woman, and
descends to the lowest depths of prostitution,--still for the purpose
of supporting her child.


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